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Oni
Collection

Italic

Test the typeface here and explore the different parameters such as size, weight, width, optical size, slant or line height.

Styles

18 fonts in total

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Total previewed characters: 0
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Information
Complete Family

Upright + italic

Character set

Total glyphs: 550

Desktop format

OTF + TTF

Current version

Version 1

Webfont format

WOFF + WOFF2

Designers

Loris Olivier

Lisa Huang

Script included

Latin

Engineering

Stephen Nixon

Language
Support
Acheron, Achinese, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Amahuaca, Amarakaeri, Amis, Andaandi Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama,Borana-Arsi-Guji Oromo, Bosnian, Breton, Candoshi-Shapra, Caquinte, Caribbean Hindustanim Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dimli, Dutch, Eastern Abnaki, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Falam Chin, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Guadeloupean Creole French, Gusii, Haitian, Hakha Chin, Hani, Hawaiian, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirmanjki, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Latin, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mizo, Mohawk, Montagnais, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin,Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Teso, Tetum, Tetun Dili, Tiv, Toba, Tok, Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waorani, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian,Wik-Mungkan, Wiradjuri, Wolof, Xavánte, Xhosa, Yanesha'Yao, Yapese, Yindjibarndi, Yucateco, Zapotec, Zulu, Záparo
Oni
From the brush to the mountains

Oni's visual identity lives between the uniqueness of creation and the desire for historical continuity. Starting with the traditional structures and shapes of serif typefaces in running text, the addition of sharp strokes here and there give Oni an originality without losing any reading legibility. Italics present an even stronger expression of Oni’s personality, whilst still maintaining references from transitional serif typefaces with various strokes and movement. This achieves a contrast between sharp lines and delicate curves. Oni is designed for display usage. The balance between solid, digital shapes combined with more organic details create in Oni an unusual symbiosis, and a whimsical aspect, which we feel reflects developments in culture more widely.

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Font pairing

Oni can be nicely paired with:

Make a bow to the gentleman, Oliver
Oliver was about to say that he would go along with anybody with great readiness, when, glancing upward, he caught sight of Mrs. Mann, who had got behind the beadle's chair, and was shaking her fist at him with a furious countenance. He took the hint at once...
We refuse to sanction these indentures
Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer.
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Letter K of Kronik Grotesk made of light blue and emerald minerals